Two Flat Whites

Posts Tagged ‘animation’

Melbourne International Animation Festival 2009

Get ready to strap yourselves in for a seven day blast of exceptional animation from around the world in the 9th edition of the Melbourne International Animation Festival!

MIAF is one of the largest animation festivals in the world, screening 350-400 films each year in competitive, student, curated & retrospective programs. The festival aims to challenge and inspire audiences with thematic, aesthetic and technical diversity from award winners, outstanding industry veterans and those wonderful newcomers who are exploring their talent on screen for the very first time.

When:
22nd to 28th June 2009

Where:
ACMI Cinemas
Australian Centre for the Moving Image,
Federation Square, Flinders St, Melbourne

Contact:
www.miaf.net

Academy Award winner Adam Elliot stops by!

Two Flat Whites caught up with Academy Award winner Adam Elliot. Adam has won an AFI award for his Short Animated Film ‘Uncle’. He also won his Academy Award in 2003 for his Animated Short Film, ‘Harvie Krumpet’. Adam’s films have participated in over 500 film festivals and they have won over one hundred awards. You can catch his new film ‘Mary & Max’ which he directed at cinemas from the 9th April 2009.



Where did you grow up & where do you hang your hat?

After 5 years on a prawn farm in outback South Australia we moved to the suburb of Mount Waverley in Melbourne. But now I hang my hat in Windsor.

In your own words, what do you do?

I tell stories……and never let the truth get in the way.

Where did you learn your craft?

My kindergarten teacher, my Art teacher Graham Bennett at Haileybury College, Sarah Watt and Robert Stephenson at the VCA and all the wonderful lecturers at the Brighton Bay Art and Design School.

Who inspires you?

My pugs, Barry & Kevin.

Childhood Memories:

TV Show – The Muppet Show
Hobby – Drawing & making things out of egg cartons & pipe cleaners
Food – Lolly gobble bliss bombs & sweetened condensed milk
Fear – The Werewolf from the film The American Werewolf in London
People – The Two Ronnies & Dame Edna
Defining moment – When my friend Brett Krueger told me there was no such thing as Santa.

Schooling memories, chore or cherished?

Cherished.

Where is the most beautiful place in Australia you have visited?

The Pinewood Independent Cinema in Mt Waverley where I went every Saturday as a child.

From the hours of 9am to 5pm, what do you get up too?

Immersing myself in all things Plasticine.

Who are your favourite film personalities? And is there anyone we should keep a look out for in Australia?

Jan Swankmayer, surrealist stop-motion genius in Czechoslovakia. In Australia, our Mary and Max cinematographer Gerald Thompson, also a brilliant writer.

Where can people see your work?

Check newspapers for details! – In cinemas April 9.

For love or money?

Depends how drunk I am

What future endeavors are in the pipeline?

Finishing drawing my kids book. So far it’s taken me 15 years!

Where do you see yourself in 5 years?

Raising pugs on a farm in Daylesford

If you could invite 3 people to chat over coffee, who would they be & why?

Barry Humphries, Michael Leunig & Marcel Marceau – to ask their thoughts on iphones.

Coffee or Tea?

Earl Grey.

Ads upon Ads upon Ads

The Gruen Transfer seems to be going great guns, and it’s good to see Wil Anderson back on our beloved ABC dissecting the advertising we see. But a newish form of advertising that has caught my eye recently – or should I say almost blinded me – is the new animated/video Perimeter Advertising in certain sports. (epilepsy warning. Rapid animation scene below)

Thank god this isn’t so widespread in Australia yet, but watching the Rugby Union test the other night (Australia V Ireland), I was shocked to see it had made its way into the game they play in heaven.

I know this isn’t a new phenomenon, but I had only recently seen it on some warm up EURO 2008 football matches and thought holy fuck, what is going on there ?!

If you haven’t had the displeasure of seeing these ads, basically they’re the same as the standard Perimeter Advertising, but animated. Not merely moving from one ad to the next, but with motion in each ad.

oh my eyes

What it offers is essentially more bang for one’s buck, for both parties. The sponsors can display more and more information and flashing lights to draw your attention, and the teams/stadiums can charge more for the space.

The only problem is that it’s a FUCKING ABOMINATION!

Can you imagine anything more annoying if you are trying to watch or play sport?

Field sports are generally a fast paced pastime (even lawn bowls has its moments); people run or move quickly and you have to focus on the action – so imagine these fucking annoying clips playing at the side of the pitch throughout the whole match. It’s bad enough for the athletes having to put up with this rubbish, let alone us – the paying customers – who are forced to have their senses bombarded like torture at Guantanamo.

Most us just want to sit around with a beer and a few mates watching the footy. We don’t want to sit around watching ghastly advertising, but the way things are going it seems sport will soon become secondary and the ads will just play against themselves.

This is yet another element of the media we will need to learn to subconsciously block out.

Article written by David Goldberg

Melbourne International Animation Festival 2008

Get ready to strap yourselves in for a six day blast of exceptional animation from around the world in the 8th edition of the Melbourne International Animation Festival 2008!

This will be your only opportunity in Australia to see such a comprehensive line-up of current animated short films in competition and specially curated programs that highlight recent productions and absolute gems from the archive.

MIAF aims to challenge and inspire audiences with thematic, aesthetic and technical diversity from award winners, outstanding industry veterans and those wonderful newcomers who are exploring their talent on screen for the very first time. The festival runs from the 16th June to 22nd June 2008.

TFW interview Luke Feldman, aka SKAFFS

Two Flat Whites caught up with Luke Feldman, aka in the design world as SKAFFS . Luke produces infectious illustrations and animations and this along with over 10 years experience makes him one very talented designer. Luke has achieved many honours, although some of his most recent achievements include being a finalist in the ‘Little Big Shots Film Festival 2008’ & a finalist of the ‘International Independent Film Festival 2007’ in San Diego.

Where did you grow up & where do you hang your hat?

I was born in Warrnambool and grew up in Geelong. At the moment, Melbourne and San Francisco are home.

In your own words, what do you do?

I am an illustrator and animator who produces music and paints. I am the creator of SKAFFS ( www.skaffs.com ) that is an ever-evolving collection of creative work such as art, giant vinyl adhesives, skate decks and other odds-and-ends.

Where did you learn your craft?

I studied Visual Arts and completed a Multimedia course in Australia. This was important in giving me a better understanding of the fundamentals of design and animation. Working in the multimedia industry, for over 10 years, from gaming to children’s education and social networking, also helped me get to where I am now.

Whose work do you relate to most? Who inspires you?

Salvador Dali & Theodor Geisel (Dr Seuss)

What inspired you to create?

The idea of creating something from nothing to a finished piece of work inspires me. My bizarre creations are the result of the quirky little things that happen throughout my life. .

Childhood Memories:

TV Show – Monkey Magic, The Goodies, Mr Squiggle

Hobby – Taekwondo, Playing the Guitar

Food – Soda Streams, Chocolate Crackles, Bubble O Bill

Fear – People under the stairs.

People – Jean-Claude Van Damme and his classic “acting” skills and martial arts.

Defining moment – Winning a local colour-in competition at the age of 8 years and realizing that I could possibly make some money without colouring-in within the lines.

Schooling memories, chore or cherished?

Chore. Being a red head meant being picked-on. But, on the flipside, school also exposed me to a variety of arts and music education and helped me get through.

Where is the most beautiful place in Australia you have visited?

A secluded beach amongst the cliffs of Boudhi National Park on the coast of NSW

From the hours of 9am to 5pm, what do you get up too?

My usual work day starts off very early and ends very late. In between commissioned jobs, I prepare artwork (acrylic, ink or digital) for upcoming exhibitions and I work on my own animation series concepts. My days tend to be long to allow me to easily communicate with companies all over the world on all different time zones.

Where can people see your work?

I currently sell work at Villain Store on Sydney Road and Robio on Gertrude Street in Melbourne. I also have work on various web stores such as Shanalogic and Freshly Dipped. Galleries in California, both in San Francisco and Los Angeles, carry a lot of my original fine art pieces. Further details on stores can be found at www.skaffs.com .

For love or money?

Definitely LOVE and a lot of it! To have the support and following of fans and to see my artwork used in advertising campaigns, children’s books, store or conference booth installations etc is really rewarding.

What future endeavors are in the pipeline?

More artwork for various upcoming exhibitions (Further details on shows at www.skaffs.com ). I have my first illustrated and co-authored children’s book series scheduled for release in early 2009. I am also launching a couple of collector toys.

Great Moments in History Competition

Applications are open for the Great Moments in History competition (or funny stuff that happened between the big bang and the end of the world) – a brand new initiative by the Australian Film Commission (AFC) and BigPond.

Great Moments in History is a unique opportunity for animators and animation directors with fresh, funny animation ideas to get them made and exhibited on mobile phones, the internet and at an Australian film festival. They are looking for ten 45-second to five-minute animations. The films should: –

…be humorous and/or satirical
…be fresh and distinctive
…depict, use, or portray historical moments (real, imagined, or re-imagined)
…employ compelling visuals and dialogue/audio tracks
…contain a minimum of two characters.

Great Moments in History animation can be made with any technique you wish. Possibilities include CG, 2D, 3D, Flash, Traditional Cell, Machinima (using license free engines and characters) or even stop motion. All that is needed is for animators to create the best looking, best sounding and most entertaining animation possible. Oh, and they want them to work well on a mobile phone. That means they have to be easy to see on a small screen and easy to hear through an even smaller speaker.

Guidelines and application forms can be obtained from here . Applications close Monday 28th April 2008 so be quick!

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